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  OUT OF TUNE

  All New Tales of Horror and Dark Fantasy

  Edited By

  Jonathan Maberry

  JournalStone

  San Francisco

  Copyright © 2014 by Jonathan Maberry

  All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.

  This is a work of fiction. All of the characters, names, incidents, organizations, and dialogue in this novel are either the products of the author’s imagination or are used fictitiously.

  JournalStone books may be ordered through booksellers or by contacting:

  JournalStone Publishing

  www.journalstone.com

  The views expressed in this work are solely those of the authors and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

  ISBN: 978-1-940161-69-3 (sc)

  ISBN: 978-1-940161-70-9 (ebook)

  ISBN: 978-1-940161-71-6 (hc)

  JournalStone rev. date: November 17, 2014

  Library of Congress Control Number: 2014953318

  Printed in the United States of America

  Cover and Interior Artwork: Robert Papp

  Cover Design: Cyrusfiction Productions

  Edited by: Jonathan Maberry

  As always, for Sara Jo.

  INTRODUCTION

  Ask most folks today what a ‘ballad’ is, and they begin humming power chords from groups like Journey, Whitesnake, and Meat Loaf.

  But let’s take a step back from hair bands and glitter rock. Let’s go old school. Once upon a time, a ballad meant something more. They spoke to a different part of our soul. They tied us to our culture or gave us glimpses into the past. Sometimes they opened doors to strange places. The ballads of long ago told stories. Sometimes fanciful, often strange, constantly intriguing.

  Those old ballads told of doomed loves and damned places, of murder and romance, of love lost and lives imperiled. The balladeers enchanted our imaginations with faerie folk and noble knights, with lonely witches and deeply unfortunate romantic choices, with the seen and the unseen. Some of them even told the truth. Or, a version at least.

  More often the ballads conjured in our minds a place where something deliciously dreadful happened long ago. Maybe it was the very spot on which you now sit, or a land glimpsed only through a parted veil at purple twilight.

  Many of the ballads are so old that no one can really claim ownership, and all provenance is suspect or apocryphal. Often these are songs and stories told and retold, changed and reshaped, with new tunes and new lyrics imposed upon the seed of a story. Scholars have confounded themselves with trying to trace the roots of Appalachian songs all the way back to Scottish glens or Irish grottos or overgrown English gardens. Some ballads are so old they seem half buried in the myths of the ancients. Others are as fresh as the rise of Jazz and Blues.

  One cannot say, with any real degree of certainty, that there is even a thread that ties all ballads together. There isn’t. And yet, there is. It’s less a connection of form or origin, and more a feeling. An awareness that these old songs and stories evoke in each of us. Often, even at first hearing, we feel we know these songs. We’ve heard them somewhere before, we think; even when we likewise know we haven’t. Their ghosts haunt the generations of songs that have come after them. Their dust is there. Their shadows.

  OUT OF TUNE is not a collection of old ballads. No, sir. This volume contains only new stories. Prose, not rhymes. Stories, not songs. Fourteen tales spun by some of today’s most talented writers. It’s a witch’s brew, no doubt. The stories are dissimilar in almost every way. Some are as bare as old bones, others are ripe to bursting. But they all share one thing. A thread. A ghost of a theme.

  They are all inspired by old ballads. From England and Ireland, Scotland and Wales. And from America, too. Old songs, new stories. Not direct interpretations. No, those old ballads were whispers in the ears of these writers. Each writer took a thread from those timeless songs and in their own way spun new magic.

  So, sit comfortably, pour yourself something nice, and dig in. And maybe—just maybe—you’ll hear a spectral tune floating on the breeze as you read.

  -Jonathan Maberry

  TABLE OF CONTENTS

  Wendy, Darling—Christopher Golden

  Sweet William’s Ghost—David Liss

  Black is the Color of my True Love’s Hair—Del Howison

  John Wayne’s Dream—Gary Braunbeck

  Bedlam—Gregory Frost

  Awake—Jack Ketchum

  John Henry, The Steel Drivin’ Man—Jeff Strand

  Fish Out of Water—Keith R. A. Decandido

  Making Music—Kelley Armstrong

  Tam Lane—Lisa Morton

  John Barleycorn Must Die—Marsheila Rockwell and Jeffrey J. Mariotte

  In Arkham Town, Where I was Bound—Nancy Holder

  Driving Jenny Home—Seanan McGuire

  Hollow is the Heart—Simon R. Green

  The Contributors

  Folklore Commentary following each song—by Nancy Keim Comley

  WENDY, DARLING

  By

  Christopher Golden

  On a Friday evening at the end of May in the year Nineteen Hundred and Fifteen, Wendy spent her final night in her father’s house in a fitful sleep, worried about her wedding the following day and the secrets she had kept from her intended groom.

  The room had once been a nursery, but those days were long forgotten. She had stopped dreaming the dreams of her girlhood years before, such that even the echoes of those dreams had slid into the shadows in the corners of the room. Now it was a proper bedroom with a lovely canopy over the bed and a silver mirror and an enormous wardrobe that still gave off a rich mahogany scent though it had stood against the wall for six years and more.

  Some nights, though…some nights the tall French windows would remain open and the curtains would billow and float. On those evenings the moonlight would pour into the room with such earnest warmth it seemed intent upon reminding her of girlhood evenings when she would stay up whispering to her brothers in the dark until all of them drifted off to sleep and dreamt impossible things.

  Wendy had lived in the nursery with Michael and John for too long. She ought to have had her own room much sooner, but at first their father had not wanted to give up his study to make another bedroom and later—when he’d changed his mind—the children were no longer interested in splitting up. By then Wendy had begun to see the Lost Boys, and to dream of them, and it seemed altogether safer to stick together.

  That day—the day before her wedding—there had been a low, whispery sort of fog all through the afternoon and into the evening. Several times she stirred in her sleep, uneasy as she thought of Jasper, the barrister she was to wed the following afternoon. She quite relished the idea of becoming Mrs. Jasper Gilbert, yet during the night, she felt herself haunted by the prospect. Each time her eyes flickered open, she lay for several moments, staring out at the fog until she drifted off again.

  Sometime later, she woke to see not fog but moonlight. The windows were open and the curtains performed a ghostly undulation, cast in yellow light.

  A dream, she thought, for it must have been. She knew it because the fog had gone. Knew it because of the moonlight and the impossibly slow dance of those curtains, and of course because the Lost Boys were there.

  She lay on her side, half her face buried in the feather pillow, and gazed at them. At first she saw only three, two by the settee
and one almost hidden in the billow of the curtains. The fourth had a dark cast to his features that made him seem grimmer, less ethereal than the others, though he was the youngest. She had not seen them in years, not since her parents had gotten a doctor involved, insisting the Lost Boys were figments of her imagination. She had never forgiven John and Michael for reporting her frequent visits with the Lost Boys to their parents, a grudge she had come to regret in the aftermath of Michael’s death in a millinery fire in 1910. How she had loved him.

  By the time of the fire, it had been years since she had seen the Lost Boys. After the fire, she had often prayed that it would be Michael who visited her in the night.

  “Wendy,” one of the Boys whispered now in her moonlit dream.

  “Hello, boys,” she said, flush beneath her covers, heart racing. She wanted to cry or scream but did not know if it was fear she felt, or merely grief.

  As if grief could ever be merely.

  She recognized all four of them, of course, and knew their names. But she did not allow herself to speak those names, or even to think them. It would have felt as if she welcomed them back to her dreams, and they were not welcome at all.

  “You forgot us, Wendy. You promised you never would.”

  She nestled her cheek deeper into her pillow, feathers poking her skin through the fabric.

  “I never did,” she whispered, her skin dampening. Too hot beneath the covers. “You were only in my mind, you see. I haven’t forgotten, but my parents and Doctor Goss told me I must persuade my eyes not to see you if you should appear again.”

  “Have you missed us, then?”

  Wendy swallowed. A shudder went through her. She had not.

  “As I’m dreaming, I suppose it’s all right that I’m seeing you now.”

  The Lost Boys glanced at one another with a shared, humorless sort of laugh. More a sniff than a laugh, really. A disapproving sniff.

  The moonlight passed right through them.

  The nearest of them—he of the grim eyes—slid closer to her.

  “You were meant to be our mother,” he said.

  Wendy couldn’t breathe. She pressed herself backward, away from them. It was their eyes that ignited a terror within her, those pleading eyes. She closed her eyes.

  “Wake up, Wendy,” she whispered to herself. “Please wake up.”

  “Don’t you remember?” the grim-eyed one asked, and her lids fluttered open to find herself still dreaming.

  “Please remember,” said another, a lithe little boy with a pouting mouth and eyes on the verge of tears.

  “No,” she whispered.

  The hook. Soft flesh against her own. The pain. Blood in the water.

  Her body trembled as images rushed to her mind and were driven back, shuttered in dark closets, buried in shallow graves.

  “Stay away,” she whispered. “Please. My life is all ahead of me.”

  She did not know if she spoke to the Lost Boys or to those images.

  “My fiancé is a good man. Perhaps when we are wed, we can take one or two of you in. He is kind, you see. Not like…”

  A door slammed in her mind.

  “Like who, Wendy?”

  Hook, she thought. My James.

  “No!” she screamed, hurling back her bedcovers and leaping from the bed, hot tears springing to her eyes. “Leave me, damn you! Leave me to my life!”

  Fingers curved into claws, she leaped at the nearest of them. Passing through him, chill gooseflesh rippling across her skin, she fell to the rug and curled up into herself, a mess of sobs.

  In the moonlight, she lay just out of reach of the fluttering curtains and cried herself into the sweet oblivious depths of slumber.

  When she woke in the early dawn, aching and chilled to the bone, she crept back beneath her bedclothes for warmth and comfort and told herself that there would never be another night when she needed to fear bad dreams. For the rest of her life, she would wake in the morning with Jasper beside her and he would hold her and kiss her until the last of sleep’s shadows retreated.

  The sun rose to a clear blue morning.

  No trace of fog.

  The world only began to feel completely real to Wendy again when the carriage drew to a halt in front of the church. Flowers had been arranged over the door and on the steps and the beauty of the moment made her breath catch in her throat. A smile spread across her lips and bubbled into laughter and she turned toward her grumpy banker of a father and saw that he was smiling as well—beaming, in fact—and his eyes were damp with love for her, and with pride.

  “Never thought you’d see the day, did you, Father?” Wendy teased.

  George Darling cleared his throat to compose himself. “There were times,” he allowed. “But here we are, my dear. Here. We. Are.”

  He took a deep breath and stepped out of the carriage, itself also festooned with arrangements donated by friends of Wendy’s mother who were part of the committee behind the Chelsea Flower Show. A pair of ushers emerged from the church, but Wendy’s father waved them back and offered his own hand to guide her down the carriage steps.

  George stepped back. He’d never been sentimental, and now he seemed to fight against whatever emotions welled within him. Amongst those she expected, Wendy saw a flicker of uneasiness.

  “You look beautiful,” he told her.

  Wendy knew it was true. She seldom indulged in outright vanity, but on her wedding day, and in this dress…well, she would forgive herself. Cream-white satin, trimmed in simple lace, it had been one of the very first she had laid eyes upon and she had loved it straight away. Cut low at the neck, with sleeves to the elbows, it had a simple elegance reflected in the simplicity of the veil and the short train. Her father helped gather her train, spread it out behind her, and took her hand as they faced the church.

  “Miss Darling,” said one of the ushers, whose name she’d suddenly forgotten. She felt horrible, but suddenly it seemed that her thoughts were a jumble.

  “I’m about to be married,” she said, just to hear the words aloud.

  “You are, my dear,” George agreed. “Everyone is waiting.”

  The forgotten usher handed her a wreath of orange blossoms and then the other one opened the church door. Moments later, Wendy found herself escorted down the aisle by her grumpy-turned-doting father. A trumpet played and then the organ, and all faces turned toward her, so that she saw all of them and none of them at the same time. She smelled the flowers and her heart thundered, and she began to feel dizzy and swayed a bit.

  “Wendy,” her father whispered to her, his grip tightening on her arm. “Are you all right?”

  Ahead, at the end of the aisle, the bridesmaids and ushers had spread out to either side. The vicar stood on the altar, dignified and serious. Her mother sat in the front row, her brother John stood amongst the ushers. And there was Jasper, so dapper in his morning coat, his black hair gleaming, his blue eyes smiling.

  She no longer felt dizzy. Only safe and sure.

  Until the little boy darted out from behind a column—the little boy with grim eyes.

  “Stop this!” he shouted. “You must stop!”

  Wendy staggered, a terrible pain in her belly as if she were being torn apart inside. She gasped and then covered her mouth, glancing about through the mesh of her veil, certain her friends and relations would think her mad—again.

  But their eyes were not on her. Those in attendance were staring at the little boy in his ragged clothes, and when the second boy ran in from the door to the sacristy and the vicar shouted at him, furious at the intrusion, Wendy at last understood.

  The vicar could see the boys.

  They could all see.

  “Out of here, you little scoundrels!” the vicar shouted. “I won’t allow you to ruin the day—”

  The grim-eyed boy stood before Jasper, who could only stare in half-amused astonishment. That sweetness was simply Jasper’s nature, that indulgence where any other bridegroom would have been furious.
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  The third boy stepped from the shadows at the back of the altar as if he had been there all along. And of course he must have been.

  “No, no, no,” Wendy said, backing away, tearing her arm from her father’s grip. She forced her eyes closed because they couldn’t be here. Couldn’t be real.

  “Wendy?” her father said, and she opened her eyes to see him looking at her.

  He knew. Though he had always told her they were figments and dreams, hadn’t he seemed unsettled whenever she talked of them? Spirits, he’d said, do not exist, except in the minds of the mad and the guilty.

  Which am I? she’d asked him then. Which am I?

  Jasper clapped his hands twice, drawing all attention toward him. The unreality of the moment collapsed into tangibility and truth. Wendy breathed. Smelled the flowers. Heard the scuffling and throat-clearing of the stunned members of the wedding.

  “All right, lads, you’ve had your fun,” Jasper said. “Off with you!”

  “Wendy Darling,” one of the boys said, staring at Jasper, tears welling in his eyes. “Only she’s not ‘darling’ at all. You don’t know her, sir. She’ll be a cruel mother. She’ll abandon her children—”

  “Rubbish!” shouted Wendy’s father. “How dare you speak of my daughter this way!”

  Wendy could only stare, not breathing as Jasper strode toward the grim-eyed boy and gripped him by his ragged shirtfront. She saw the way the filthy fabric bunched in his hands and it felt as if the curtain between dream and reality had finally been torn away.

  “No,” she said, starting toward Jasper…and toward the boys. “Please, don’t…”

  Her fiancé glanced up, thinking she had been speaking to him, but the boys looked at her as well. They knew better.